Obscuration / Torch
Obscuration
100 x 150 cm, digital print behind acrylic glass, on aluminum Dibond
A cloud-like motif of approx. 8×5 m produced by tactical smoke grenades was photographed and its print divided into 3 parts. The photograph, measuring 1 m x 1.5 m in total, was provided with a reflective surface, which allows the viewer to linger in the picture and find himself again.
Torch
Photograph dimensions approx. 40 x 70 cm, aluminum dibond direct print, framed in concrete
A distress flare, which in its photographic appearance is stylistically reminiscent of the candle motif type of image and is often misused in its function as Bengalo.
These flares were developed for various strategic purposes. In its original function, it indicates emergencies, marks targets, is used to blind and/or illuminate and, if necessary, also works under water.
This torch, which cannot be extinguished and has a temperature of 2500 degrees, is also known for its use in and in front of football stadiums and can be purchased in many fan shops. It is increasingly becoming a symbol of uprisings, grievances and peaceful as well as aggressive protests.
InProgress_II
Alu-Dibond Direct Print,
ca. 40×70 cm, Concrete framed
2022
Edition 2/5 + 1 AP
RiffWAV_I
Aluminium Direct Print,
ca. 30×50 cm, Concrete framed
2022
Edition 2/5 + 1 AP
RiffWav_II
Aluminium Direct Print,
ca. 30×50 cm, Concrete framed
Edition 2/5 + 1 AP
Synth (live)
Synth (live) 2018-2022
Fluorescent tubes, Midi & DMX control technology, loudspeakers
Following the technical principle of the “Synth (Sync)” Work, I developed live performance to these works in different places.
The use of alienated technology and control signals, as well as electronic displays as indicators, help me to “sequence” the installations in real time and thus to play them live.
The electro-acoustic and visual explorations allow me to bypass certain either-or questions. It is not possible for me to write a fixed composition, as the constructed systems react to every interference in space and time and are constantly changing. What is experienced, what is seen and heard, will remain unique in each case. These basics and errors of the analog (communication) technique, I make myself compositional use.
Snippets:
Video: All Rights at Muthesius Kunsthochschule / Lifa
Video: Maximiliansforum München:
CTRL/CRT
CTRL/CRT (2018)
CRT TV’s, audio amplifiers, audio tracks.
CRT TV’s are hacked and act as oscilloscopes which allows visualization of various sound waves. Sinusoidal frequencies and various phase shifts are applied, allowing shapes and figures to be found and represented.
Similar to Ben F. Laposky’s “Oscillons”, supposedly standing sculptures and Lissajous figures can be created by sounds. The experimental setup is understood as a search for form, which is directly related to the audible sound.
If these visualizations are in turn fimmed, technically conditioned copying errors arise, the interlaced tactile process becomes visible, whereby a potentially infinite random composition of (moving) images arises, which stand in direct relation to the sound.
Link Video and Sound:
Breakwater
Breakwater (2018)
Wood, Speakers, Red Light
The construction is understood as an investigation to bring light, sound, sculpture and space into an atmospheric harmony. The speakers reproduced different sounds, the eld of sound was juxtaposed with various forms of wood these serve as reaction and interference bodies. The sounds are refracted, distorted and reflected, changing its perception through interaction and movement in space.
Construction
Aluminum, concrete, fluorescent tubes, loudspeakers, control technology
Dimensions, 1 x 3 x 5,5 m
A scaffolding-like construction that starts to glow every few minutes, creating a blinking and noisy backdrop of experimental sounds.
One Shot / One Opportunity
One Shot / One Opportunity (2021)
translucent digital print, opal glass, light technology, concrete framed.
Dimensions: 52×83 cm.
One Opportunity
Digital print on satin acrylic glass, concrete framed
Dimensions: 40×80 cm
One Shot / One Opportunity, are 2 photographic compositions, which interpret the modern medialization, as well as the questions about the 4th force and the alleged image of reality.
How far do reporting and the resulting actions and reactions depend on each other?
One Shot, is composed of 3 parts of a triggered shot, which would not be seen together in a photographic recording.
Held in the format 16:10, the standard measure for the processing of print media and is presented in a light box.
One Opportunity refers to a supposed explosion, vignetted and in panoramic format.
InProgress – (Diploma)
Diploma 2022
Medial space installation
2 photographs, alu-dibond prints, à 1,00 m x 1,00 m
3 channel video and sound installation
Tvs, loudspeakers, control technology, aluminum profiles variable
Photography framed in concrete, alu-dibond print, 1,05 x 185 cm
The diploma work interwove different elements of photographs, videos, sounds and architectural-sculptural elements.
Three videos form the central point of the installation and represent the supposed decay of architectures, whose individual original sound tracks repeatedly overlap.
Different running lengths of the videos create a temporal self-modulation that creates a potentially infinite random composition. The generated sound and video backdrop was unique in its constellation in this form each time.
The video installation was juxtaposed with photographs that depicted various “natural” phenomena and, through interaction and movement within the space, created different visual axes in the interplay between video, photography, and sound.